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The π—‘π—Όπ—»π˜€π—²π—»π˜€π—² User


Isn’t there something really scary about people who knowingly, consciously, use others as stepping-stones?

Hmm. I wonder.

Actually, it’s the people who unknowingly β€” with all the best of intentions and delusions of just cause β€” use other people who are way more disturbing.

Haha! But you’re a good guy, right?

Thankfully, whether or not I’m a good guy has nothing to do with anything.

ME ( NARRATOR )

The opposite of love isn't hatred, but rather, it is indifference. It's a null feeling to the point where it was difficult to even call it a feeling, and that's exactly why it serves as the antonym for strong emotions such as love and hate.

What point is trying to be made here?

Well, when discussing apathy, there is certainly one person who must be brought up in that equation: The Nonsense User.

Real name: Unknown
Alias: Ii, I ( Boku, ぼく )
Age: 19
Birthday: Sometime in March

Someone truly aimless, detached from the rest of the world whilst causing nothing but chaos for anyone he gets involved in. Apathy and indifference are as natural to him as joy and sorrow to anyone else, to the point where it's natural to question if he's even human or not. "I don't know," is how he would respond to that question, with no elaboration or nothing more to add on top of it.

Not confirming, not denying. Never making waves whilst also being dragged along by the them. Not participating in life and thus always losing. Never making an effort to win at anything so he doesn't have to stress about trying his hardest and still losing.

He is Humanity's Weakest. Damaged Goods. Defective Product.

Thus there is nothing extraordinary about him, minus the fact he is so unnoteworthy.

Resembling no one due to his lack of characteristics, but resembling everyone due to his lack of individuality. It isn't uncommon for people to see all of their flaws in him because that's all he is β€” a bundle of flaws trudging along and staying alive just because he hasn't died yet.

But that type of existence is fine for him.

Because no matter what.

It's all nonsense, anyways.


Something to Note:

Normally I try not to use art that isn't done by official Zaregoto artists and have been pretty good about doing that, however I will link under the initial tweet whenever I do. That said, I do frequently use art I have commissioned for layouts or xyz reason, so this page is dedicated to linking the artists I have gotten commissions from in case anyone is curious. I have paid for all of these arts minus the ones that were requested by me, so no worries there either.

Some of these images have been edited to a reduced size to satisfy the file size limit.


From Twitter - @pitganart


From Twitter - @naoneesama


From Twitter - @osheets_


From Twitter - @ippotsk


From Twitter - @tsam__p

Headcanons:

Due to his mindset and his nature, Ii is the wielder of two abnormalities (or abilities):

Unreliable Narrator:

An abnormality that activates through Ii's internal narration to "the audience" that causes half of whatever he narrates in his mind to become reality and the other half to be falsified β€” effectively stopping it from occurring. While it is a flexible skill, it has its limits in not being able to affect anything outside of his field of vision and not being able to directly influence someone into performing an action that they aren't in the progress of performing nor can he influence emotions β€” this former action is the case because he can't narrate what he cannot see, the middle action would be a command rather than tampering with reality, and the latter action is impossible due to his inability to understand other humans. All he can do is narrate what's going on in his mind and influence how the conclusion of said actions will play out. The simplest example of this would be as follows:

" I raised my fist high before slamming it down onto the figure's shoulders, but it didn't break due to how pathetically weak I was. "

When this phrase is narrated in Ii's mind, he can choose the latter half as falsified, which would result in the blow he delivered being tremendously powerful to the point of shattering the opponent's shoulder with one strike.

Alternatively, if he were to narrate the action as:

" I slammed by fist into the collarbone of the figure and I heard a satisfying crack from their shoulder as it broke that told me the person was pathetically weak. "

And chose to falsify the former half, he would be able to directly damage the opponent without needing to perform any action or needing to even be close to them.

Aimless Equation:

A passive abnormality that activates the second Ii enters the "story" of one's life and forcefully reorders it to fit the actions of Ii. The potency of the abnormality is affected by however long one remains in contact with Ii, but he is unable to determine its affect or how the "story" will adjust to his presence. Any actions that are committed whilst acknowledging Ii actively go against what one would have done naturally to an increasingly volatile degree. It can be to the point of warping one's mindset to fit Ii into it, a predetermined plan with no failures seemingly developing a hole that is exploited, a coincidental event occurring the somehow stops the death of someone who would normally have died, or bringing the death of someone who wasn't intended to die at that point of "the story" to fruition regardless of the importance they played. It goes without saying that this skill is utterly unpredictable and nonsensical as everything becomes determined as it happens rather than being a clear defined path that someone is destined to walk down. Due to this skill, "the story" constantly tosses adversities at Ii in order to attempt to mend the flow of the story and return everything back to how it was normally supposed to go.

As a side effect, anyone that hears Ii's true name will have their story forcefully brought to the "end," resulting in their eventual death. This is the case because knowing and acknowledging Ii by his true name is acknowledging his existence within your story completely.